The lessons I've been working on lately have been more practical in nature. The paper I have been using for woodcut prints these last few months (Japanese rice paper) is beautiful and delicate, and perfect for hand pulling prints, as I have been doing. But-- it bruises so easily, and is pretty floppy. I have been backing it with reused corrugated cardboard, but the paper will bend around the cardboard, and get all roughed up, especially if the print is at a show and hundreds of hands are flipping through it.
So I asked for a tabletop press for Christmas (thanks, Mom!) and am now using heavier textured card stock. The new paper is sturdy enough that a backing isn't necessary, it comes in a variety of colors, and doesn't get bruised up unless you force it! The overhead is a little more, but in the end, I'm not tossing almost perfectly good prints with a dinged corner or two. (Anyone want a perfectly good print with a dinged corner or two?)
I printed up a few Fleming Creek prints on this stock yesterday:
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and love how they turned out. I bought some nice greens and browns too, some more will probably show up the shop throughout the weekend.
I've also been working finding ways to brand everything a little more cohesively. I purchased a custom-made stamp with the shop address on it (in Futura, my favorite mid-century font) and created a tiny lino-cut leaf to accompany it on correspondence and on prints.
I also thought I might be motivated to get extra prints matted/framed/stretched/photographed if I gave myself some kind of deadline, so I signed up for the Reinvent Your Space showcase on Friday.
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This showcase didn't do wonders in terms of sales, but it did pay for itself and might drum up future sales, which is important to consider. All in all-- I probably wouldn't buy a slot again though.
I never thought business was that interesting, but I have come to look at it differently. You can see a direct correlation between cause and effect, and its fun to try new things and see what happens.
2 comments:
Thanks for sharing your thoughts on business.
I have a suggestion for your for those dinged up prints (or less than perfect proofs): cut them into ATCs and use them at fairs & shows to give little "samplers" of your work to people you speak with. I have mine on quite heavy card stock so I was lucky not to have to mount the paper onto something stiffer. I back them with a label of my contact info (so they're not quite exactly ATCs).
I'm almost out of business cards, so that's a lovely idea! I am printing on cardstock now... i love rice paper but it drives me crazy!
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