A creative activities update!

I've been out and about this past week-- the options for passing time are much more plentiful now that the warm weather has returned! I have managed to sneak in a little work and have also developed a really fun eye twitch in response to the work yet to be done!

As promised, here's the super exciting theme for the new flyer at the store:

We wanted something really fresh because green is shooting out of the ground like crazy, so we went with sprouting. My coworker Adam created the sprout from foam board and wire, and then applied multiple layers of felt on top before nestling it in this little shadow box behind plexi-glass. Several components of the actual sign were cut from paper that was applied to the chalkboard-- a totally new way of working for us that we'll definitely be coming back to. The rest of the store is filled with downed branches that we covered in kraft paper tape and little paper leaves.

In my own work, I'm happy to announce that I have a new favorite material-- his name is Mr. Burlap.

(click for texture bliss!)

I purchased this organic hemp burlap a few months ago, but just got around to using it this weekend. I love the effect when a somewhat modern image is screened on top-- the contrast is heavenly.

The only problem with Mr. Burlap is that he's really thirsty. These prints require at least 4 times the amount of ink required to screen a regular print-- the dried burlap weave is like a sponge! I haven't decided yet whether or not to charge more for these prints-- either way, I'm in love.

This reverse technique (where the negative space is screened in) is going to play prominently in the prints I pull in the next few weeks I think-- I'm hoping it will be a fun way to breathe some new life into successful images. At the same time as the burlap prints were created I pulled another Ladder Fern edition where the brown negative space is screened on top of a variegated panel of greens.

For this effect, I cut the screen opening to just under the size of my piece of canvas, and then dollop on a few shades of green in random spots and pull the ink across the whole panel. Then I screen the negative space on top in brown. I already used this method last winter with the Huron River Bed series, which I'll be bringing back in addition to these Ladder Fern prints and some Honeycomb style prints also using this method.

That's on my to-do list between now and the next show, in addition to (as always) pulling lots and lots and lots of woodcut prints. I have my work cut out for me!